Pick: This button will open the browser for you to select a project. Load Stored ZPR: This button will load a project stored with the 'Open' button to the right. ZBrush Tileable Textures 01 - 2.5D Workflow. ZBrush Tileable Textures 02 - Finishing Up. ZBrush Tileable Textures 04 - Zapplink & Basic Render Passes. ZBrush Tileable Textures 05 - Rendering Ambient Occlusion. ZBrush Tileable Textures 06 - Custom Material Masks. And I guess this is what makes an artwork valuable and lasting.ZBrush Tileable Textures 07 - Photoshop Demonstration. I have made an imaginary scene which has not only one back-story, but as many stories as there are people in the audience. Although I'm not fully satisfied with the composition yet, I think I've reached to my goal. Some of them were pretty far away from what I had in my mind, but still so amazing and inspiring that it made me think of creating a short animation out of the idea. In the end I came up with this I received so much wonderful and creative feedback from audiences and artists about the story. I always kept consulting these changes and choices with some of my best friends since their ideas always inspired me.Р”В®xperimenting with different backdrops Step 7: The final piece I finally chose the last one and drew a sinuous river across it. Ancient giant impact craters, jungles, great canyons, cloud fields and rice farms where among my choices. While applying these changes I was also playing with different backgrounds. I thought, 'Now this can get somewhere!' I made my decision about the framing and chose horizontal standard 16*9 AR. Revising the dragon as an embryo Step 6: Backgrounds I redesigned it as an embryo, and added its angry mother dimly in the background later.Р”Р„dding the baby dragon brings the whole image together I liked the result, but I believed there was something wrong about that dragon. So I started sculpting it and gave it a try. I found out that placing a little dragon in reach of his hand could look amazing. I manipulated the image again and again, trying vertical and horizontal framings, and even flipped it a couple of times. My obsession with finding an ideal composition was not fulfilled yet. The many passes rendered out for this image Step 4: Revisions I also add the textures, colors and effects there.

I always do this stage by exporting many passes (by applying various materials and different lighting conditions), and then composing them all together in Photoshop. Finally I decided on this pose, and started to finalize my character and render it out.Р”Вeciding the final pose Step 3: Rendering I spent so much time just navigating around the model and changing focal lengths! This gave me some ideas both for modeling and composition. I took advantage of various focal lengths. I wanted the image to induce a sense of suspension and dizziness, and still have a back-story within itself. The back view of the model Step 2: Composition A composition that I was satisfied with one day was just a failure the other day. I went almost crazy and desperate in the last days.

I was thinking of it all day and night and testing various concepts. It took about 50 days for me to come to an agreement on one. I tried tons of concepts with various poses, camera angles and subsidiary elements. So I made up my mind to reach an ideal composition (though I believe I never did it!). I was not satisfied with the early composition concept - I needed it to carry some meaning, like a back-story. You can see in the back view that I just stopped detailing the areas which wouldn't show up in the final render! But the real challenge was just about to start. This took me almost three weeks of modeling in ZBrush during my spare time. I just knew it was going to be a sci-fi suit. Then I started sculpting from a ZSphere structure base, without any pre-drawn concept. It all started with a simple illustration which I didn't even save! It was a fish-eye shot of a skydiver falling. For a while I've been interested in skydiving photographs, and I just felt like I should make one in my own way. Hello everybody! In this brief project overview I will show you how I usually create an imaginary scene with ZBrush and Photoshop. 3D concept designer, Mohammad Hossein Attaran, shares his ZBrush workflow for creating imaginary scenes.

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